Working on binding the Vylene fabric – using book binding
techniques and gathering stitches – then using sublimation printing with the
heat press to transfer colour and mark making onto the work whilst it is bound –the
piece is then unbound to reveal the folds and the trace of what was once there.
The process is revealed and rebuilt in the mind – its history is unpicked – the pieces are a hybrid of sculpture and process neither
one nor the other but a middle point alluding to both.
These pieces will be folded and become pages
in a bookwork – I've been looking at how to document the work – using both natural
and man made light from an overhead projector changes the tone of the work – the
images are interesting on their own and could become large prints.
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